Manet's Modernism: or, The Face of Painting in the 1860s By Michael Fried

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Manet's Modernism: or, The Face of Painting in the 1860s
 By Michael Fried

Manet's Modernism: or, The Face of Painting in the 1860s By Michael Fried


Manet's Modernism: or, The Face of Painting in the 1860s
 By Michael Fried


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Manet's Modernism: or, The Face of Painting in the 1860s
 By Michael Fried

  • Sales Rank: #1413641 in Books
  • Published on: 1998-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.20" w x 7.00" l, 2.89 pounds
  • Binding: Paperback
  • 676 pages

Amazon.com Review
Our current understanding of the paintings of Manet is so heavily filtered through the lens of Impressionism that in many ways, his contributions to art history have been obscured. Called the "first modernist," his paintings marked a break with the past and paved the way for what we've come to accept as modern art in the treatment of the canvas as a flat surface. But during his time, Manet's modernist innovations were the object of ridicule. "It's flat, it isn't modeled," said Courbet of the nude in the painting Olympia. "It's like the Queen of Hearts after a bath." In Manet's Modernism, Michael Fried has set out to see Manet as his contemporaries would have seen him and to gain a more accurate reading of Manet's place in history.

Review
... at once exciting, heroic and difficult ... It is art history of the highest originality and distinction. -- The New York Times Book Review, Arthur C. Danto

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Manet's Modernism: or, The Face of Painting in the 1860s By Michael Fried


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